![]() Single-ended triode (SET) amplifiers are known for making K-Horns sing, and tube aficionados prize the speaker for a measure of efficiencyelectrical sensitivity combined with impedance characteristics that ease drivabilitythat contributes to a lifelike dynamic range. When the speaker is positioned tightly in a room's corner, the floor and converging walls become part of the horn and contribute to low-frequency gain. The three-driver K-Horn is, or was (footnote 1), open-back, folded-horn design. The biggest and most famous of these arrived in 1946: the still-popular Klipschorn, for which Paul Klipsch was awarded nearly two dozen patents.ĭesigned and manufactured in Klipsch's Hope, Arkansas, factory, where the company's manufacturing arm remains, the K-Horn has been in continuous production for over 70 years, a feat no other speaker manufacturer can claim. Klipsch for creating some of the earliest horn designs for home use. Though horn-loaded loudspeakers began showing up in movie theaters as early as the mid-1930s, credit goes to Paul W. With their high sensitivity ratings and low power requirements, horns deliver music faster, like a skier blasting off a jump at warp speed: There's no drag, no lag, no confusionjust jumpin' jiminy dynamics at practically every volume level. Horn-loaded speakers achieve what few conventional cone-only speakers can: reproduce the note-perfect timing, rhythmic energy, and blood-pulsing impact of the real event. As the Beatles used to say, I was dead-chuffed. Then, at the urging of occasional Stereophile contributor Steve Guttenberg, I took on the fat-boy Klipsch Heresy III. Second came a pricey but pleasing pair from handlebar-mustache king Gordon Burwell, the Burwell & Sons Homage. My jaw dropped when I reviewed what would prove the finest loudspeaker to ever grace my home, the Volti Audio Rival. For "security reasons" the bank was even unable to confirm if the payment had been received or not.I'm fortunate to have reviewed in recent years not one but three different pairs of horn-loaded loudspeakers. I spent nearly two hours on the phone this morning to different people at BNP Paribas and got nowhere trying to get round this blockage. The code expires after a week, which is less time than it takes a forwarded letter to get from France to the UK, if I were able to arrange that. The bank in spite of knowing I am in the UK, sent the security code by regular post to my French address. You have to confirm the phone number before this happens but in order to do that, you need another security number. My French bank has added yet another layer of security to online access (it was already difficult enough with constantly changing numerical pass codes), where you have to receive a code by SMS on your registered phone. I am currently stuck in the UK due to Covid but I needed to access my French bank account online to see if a very substantial travel refund had been paid into it. All companies are now running so scared of security breaches and put in so many levels of security checking, that it makes life impossible for people to use their services and products. The problem is that the Russian, Korean and Chinese scumbag hackers have spoilt the game for everyone.
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